
与太郎
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Yotarou arrives in the story fresh out of prison, with nowhere to go and nothing to his name. After watching a rakugo performance by the legendary storyteller Yakumo Yuurakutei, he is so moved that he tracks the old man down and begs to become his student, even though Yakumo has refused every apprentice for years. Something about Yotarou's honesty and enthusiasm finally breaks through, and Yakumo agrees to take him on as his first and only disciple, giving him the name Yotarou, which is old rakugo slang for fool.
Over roughly ten years of strict training, Yotarou slowly grows from an eager but rough beginner into a true professional. When he finally earns the senior rank of shin'uchi, he marks the occasion by shaving his head and taking on the stage name of the Third Generation Sukeroku, inheriting the title once held by his teacher's late best friend.
Yotarou also grows close to Konatsu, Yakumo's resentful young ward and the daughter of the original Sukeroku, and the two eventually build a family of their own. His cheerful, stubborn devotion to rakugo, and to the people who took him in when he had nothing, makes him one of the story's most hopeful characters, carrying an old art form, and an old friendship, forward into a new generation.
On screen

Showa Genroku Rakugo Shinju is a quiet, beautiful drama about a very old Japanese art. Rakugo is a kind of comic storytelling. One performer kneels alone on a cushion on a small stage. Using only a fan and a cloth, he plays every role in a long story, changing his voice and face for each person. The anime is based on a manga by Haruko Kumota that ran in the magazine Itan from 2010 to 2016. The manga won the Kodansha Manga Award. Studio Deen made the anime, and this first season aired in early 2016 with 13 episodes. The very first episode is extra long, about twice the normal length. The story begins after a man gets out of prison. He was a small-time gangster, but in prison he saw a show by Yakumo Yurakutei, the most famous rakugo master in Japan. Yakumo's performance of a story about a god of death moved him deeply. So, on the day he is free, he goes straight to Yakumo and begs to become his student. Yakumo is cold and has never taken a student before. Still, to everyone's surprise, he says yes. He gives the young man the stage name Yotaro, a word for a silly or foolish fellow. Yotaro is loud, kind, and eager, the opposite of his serious teacher. Very soon, the show turns back in time. Most of the season is told as Yakumo's own life story. We go back to the years around World War II, when Yakumo was a young boy named Kikuhiko. He was sent to train in rakugo because a leg injury meant he could not become a dancer. On the same day, he met another boy, Hatsutaro, who later takes the stage name Sukeroku. The two grow up together as students of the same master. Kikuhiko is shy, careful, and elegant. Sukeroku is wild, funny, and loved by every crowd. They are best friends, but they are also rivals, and their very different styles shape their whole lives. A woman named Miyokichi also enters their story and changes it. The show treats rakugo with great respect. Long scenes let the characters perform full stories on stage. The camera stays close on their faces and hands, and the voice actors give amazing performances. Akira Ishida plays Yakumo, Koichi Yamadera plays Sukeroku, and Megumi Hayashibara plays Miyokichi. Watching these scenes, you can see why people once loved this art so much. You also see the fear that rakugo might die out as movies and TV become popular after the war. This is an adult story with mature feelings. It is about friendship, jealousy, love, pride, and the price of chasing your art. It moves slowly and feels like a stage play, and one critic called it a tragedy made on purpose to feel theatrical. The mood is often sad, but it is also warm and full of small jokes. If you enjoy deep character drama and history, this series is a rare treasure, and its story continues in a second season, Descending Stories.
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