
みよ吉
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Miyokichi, whose real name is Yurie, starts out working as a geisha thanks to help from a senior rakugo performer. Through that connection she meets Yakumo Yuurakutei, known then by his younger stage name, and the two begin a long, uneven romance that never quite settles into anything stable. She is drawn to his cool, aloof manner, but he keeps pulling away from her, and that pattern of closeness and rejection repeats for years.
When Yakumo finally turns her away for good, Miyokichi turns instead to his close friend Sukeroku, becoming his lover and eventually the mother of his daughter. Unlike the devoted, supportive role she once played for Yakumo, cheering him on and watching his performances from the audience, Miyokichi grows distant and unhappy in her new life, struggling to care for either Sukeroku or their child and eventually turning to prostitution to get by.
Her story ends in tragedy: she dies falling from a balcony while Sukeroku desperately tries to save her, a loss that haunts nearly every character connected to her for years afterward. Miyokichi's restless, self-destructive path, torn between two men and never quite at peace with herself, becomes one of the quiet tragedies underneath the whole story of rakugo and its performers.
On screen

Showa Genroku Rakugo Shinju is a quiet, beautiful drama about a very old Japanese art. Rakugo is a kind of comic storytelling. One performer kneels alone on a cushion on a small stage. Using only a fan and a cloth, he plays every role in a long story, changing his voice and face for each person. The anime is based on a manga by Haruko Kumota that ran in the magazine Itan from 2010 to 2016. The manga won the Kodansha Manga Award. Studio Deen made the anime, and this first season aired in early 2016 with 13 episodes. The very first episode is extra long, about twice the normal length. The story begins after a man gets out of prison. He was a small-time gangster, but in prison he saw a show by Yakumo Yurakutei, the most famous rakugo master in Japan. Yakumo's performance of a story about a god of death moved him deeply. So, on the day he is free, he goes straight to Yakumo and begs to become his student. Yakumo is cold and has never taken a student before. Still, to everyone's surprise, he says yes. He gives the young man the stage name Yotaro, a word for a silly or foolish fellow. Yotaro is loud, kind, and eager, the opposite of his serious teacher. Very soon, the show turns back in time. Most of the season is told as Yakumo's own life story. We go back to the years around World War II, when Yakumo was a young boy named Kikuhiko. He was sent to train in rakugo because a leg injury meant he could not become a dancer. On the same day, he met another boy, Hatsutaro, who later takes the stage name Sukeroku. The two grow up together as students of the same master. Kikuhiko is shy, careful, and elegant. Sukeroku is wild, funny, and loved by every crowd. They are best friends, but they are also rivals, and their very different styles shape their whole lives. A woman named Miyokichi also enters their story and changes it. The show treats rakugo with great respect. Long scenes let the characters perform full stories on stage. The camera stays close on their faces and hands, and the voice actors give amazing performances. Akira Ishida plays Yakumo, Koichi Yamadera plays Sukeroku, and Megumi Hayashibara plays Miyokichi. Watching these scenes, you can see why people once loved this art so much. You also see the fear that rakugo might die out as movies and TV become popular after the war. This is an adult story with mature feelings. It is about friendship, jealousy, love, pride, and the price of chasing your art. It moves slowly and feels like a stage play, and one critic called it a tragedy made on purpose to feel theatrical. The mood is often sad, but it is also warm and full of small jokes. If you enjoy deep character drama and history, this series is a rare treasure, and its story continues in a second season, Descending Stories.
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